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KArtsCon2024: Juliana Mainard-Sardon – Reclaiming Legacy: Unveiling (Un)told Stories of Colonialism through Mozambique’s Digital ‘Open-Air’ Exhibition

Dr Juliana Mainard-Sardon, Nottingham Trent University, UK
juliana.mainard-sardon@ntu.ac.uk

Juliana Mainard-Sardon holds a PhD in Third Sector Management and she is Research Fellow at the VCSE National Observatory (Nottingham Trent University). Her research aims to understand the impact of the voluntary, community and social enterprise sector in the UK.

She is Principal Investigator of a project aiming to recognise how under-represented groups and communities are represented in NHS research. She is co-investigator of evaluations for two local infrastructure organisations based in Medway and St Albans. Juliana is part of Bournemouth University AHRC International Research Network in partnership with UNIRIO (Brazil), Oxford Brookes (UK), University of Malaysia, and LURIO University (Mozambique) that works in global South rural and urban communities that promote sustainable community-based tourism using digital technologies and community researchers.

Outside of academia, Juliana worked as a Funding Manager for the Peepul Centre, one of the UK’s largest BAME women-led social enterprises and she was a youth worker and a community activist for 10 years in Argentina.

Presentation: Reclaiming Legacy: Unveiling (Un)told Stories of Colonialism through Mozambique’s Digital ‘Open-Air’ Exhibition

Co-presenting with Professor Isabella Rega and Dr Innocent Hakizimana Abubakar

Our paper investigates how marginalized communities choose to rebuild their art legacy while connecting with a troubled heritage. The act of choosing signifies a connection between place, artifacts, and (un)silenced voices. In our paper we explore how this connection can be mediated by digital tools, and in this specific case digital storymaps, as enabler of visibility, reflexivity and storytelling. Thus, we ask: how can marginalized communities use digital maps to reflect on their identity and promote counter-narratives about their past, present, and future to be shared within and beyond local borders?

Using digital Storymapping in Mozambique, we learn from the people of Ilha de Moçambique about (un)told stories of colonialism. Community leaders collaborated to establish a digital ‘open-air’ living exhibition where they select artifacts to represent their lived experiences of colonialism. We present the process by which this community chose their art heritage and made collective decisions to showcase their legacy of (un)told history through different artifacts, cultural manifestations and landmarks, contrasting with the objects displayed in their ‘official’ museum.

This paper delves into the participatory process that led to the production of the maps and includes contributions from members of the International Network research team. The StoryMap is a journey through the Ilha de Moçambique corridor, encompassing the Ilha de Moçambique district and Municipality, Monapo District and Municipality, and Mossuril District in the province of Nampula. It gathers local narratives of colonial heritage spoken in the oral tradition of the communities. Local stakeholders – including authorities, artists, and decision-makers – came together to agree on the content of the StoryMap, produced by Universidade Lurio.

In this paper, we explore how marginalized communities reconcile with some of their colonized past by challenging conventions of what represents their cultural artifacts and community heritage. Moreover, we consider the potential of digital Storymapping as a participatory method that mobilizes storytelling and reflexivity.

Keywords: Marginalised communities, digital StoryMaps, Mozambique, colonialism

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